All things considered, the circumstances could have been worse for Meghan Miles. The fictional newscaster goes through a lot in “Walk of Shame” as she engages with gang members and police officers alike, but at least she’s not watching herself from the comfort of the local cinema. Read more...

Photo: (Focus World)

Few genres evoke sympathy for protagonists with insatiable bloodlust the way revenge movies do. Utterly unrealistic and dementedly satisfying, revenge films capture a simplistic desire for a world in which the weak successfully punish the powerful, preserving justice in the face of evil. Read more...

Photo: RADiUS-TWC

Audiences don’t seem to be flocking to the cineplex for realism anymore. Whereas the believable epic “Gone with the Wind” was once the highest-grossing film of all time, so was the more fictionalized “Jaws” after it and, more recently, “Avatar.” Had “Last Passenger,” the debut feature from British director Omid Nooshin, come out at the time of “Gone with the Wind,” or even “Jaws,” it probably would have been received differently: praised for its character study, appreciated for its structured thrill ride. Read more...

Photo: (Cohen Media Group)