It's been a banner year for American cinemas and sex, arriving at a point where anything worth talking about in film (or so it seems) has to do with this curious new obsession with the flesh. Read more...

New thriller “Prisoners” keeps its audience alert and anxious while spinning every parent’s worst fear: a child gone missing. The film keeps an intense tone while presenting a carefully crafted plot that grips viewers with both its intelligence and terror. Read more...

With the innumerable remakes, reboots and sequels deluging Hollywood recently, “Riddick,” the third installment in the “Riddick” series, warrants anticipatory disappointment. However, “Riddick” proves to be an exception, never rising above expectations for a summer action movie but still remaining an enjoyable distraction. Read more...

Leaving El Paso, Texas, five years ago, Iliana Sosa knew she would one day return to her hometown. But what she did not know was she would return to produce an award-winning thesis film. Read more...

Photo: “Child of the Desert” follows a mother traveling to the final resting site of her military son, befriending a Spanish-speaking immigrant along the way.

The first time Dehanza Rogers saw her film in a theater she began to cry. Rogers, a UCLA master of fine arts candidate in directing and cinematography, said she was emotional because, after several months of strenuous work to create her short film, “Sweet, Sweet Country,” she could finally see her hard work in front of her. Read more...

Photo: “Sweet, Sweet Country” follows Ndizeye, a young girl who must support both herself and the family she left behind at a Kenyan refugee camp.

A teenage girl, a mentally disabled boy and a lost horse. Nicole Gordon, master of fine arts candidate in film production and directing at UCLA, wanted to save these characters for her final thesis, but she knew she could no longer wait to see them on screen. Read more...

Photo: “The Last Wild” is the story of a troubled teenage girl who searches for her lost horse with the help of a young boy.

“The World’s End” has the most fitting movie title of the summer. After an apocalyptic “World War Z,” abysmal adventure flick “After Earth” and so many more of the same fictionally destructive caliber, a blatantly world-ending comedy seems like the kind of film to place squarely at the butt of it all. Read more...