One of the great things about Clint Eastwood is his uncanny ability to infuse stoicism and apathy into the protagonists of his films, whether he’s in front of the camera or behind it. Read more...

Asking a musician whether he prefers teaching or performing is like asking a first year student his major. It’s one of those questions everyone tries to avoid having to answer. Read more...

Department of Ethnomusicology Chair Tim Rice began his two-year term this past Saturday as the newly elected president of the Society for Ethnomusicology. The SEM is a U.S.-based organization with an international membership of over 2,000 from six continents and a mission statement to promote the research, study and performance of music in all historical periods and cultural contexts. Read more...

UCLA’s Hammer Museum stands inconspicuously on the corner of Wilshire and Westwood Boulevards. Students are unaware that the once-little museum now ranks with such art powerhouses as the Museum of Modern Art in New York and the Museum of Contemporary Art in Chicago. Read more...

As Lee Bontecou stepped up to the microphone in front of admiring guests at her art exhibit in the Hammer Museum, she realized her lowly position relative to the sound piece. Read more...

Toward the end of “Homebody/Kabul,” Tony Kushner’s sensational new play at the Mark Taper Forum, Milton Ceiling (Reed Birney) tries to explain binary duals to an Afghan woman he’s considering taking back to London. Read more...

Good things do come to those who wait ““ at least at jazz shows they do. Sunday night at Royce Hall, the Michael Brecker Quintet and the Roy Hargrove Quintet overcame a forty-minute delay and a few minor sound problems to successfully stage two very different and satisfying sets of innovative jazz music. Read more...