Mark Worthington needed more than just an Infinity Stone to create Wanda Maximoff’s reality. Set in a post-“Avengers: Endgame” world, “WandaVision” follows the infamous Scarlet Witch’s (Elizabeth Olsen) complicated journey through grief and loss as she creates an alternate sitcom-themed reality to relive a life with her late partner, Vision (Paul Bettany). Read more...

Photo: Production designer and UCLA faculty member Mark Worthington was Emmy nominated for his work on Marvel’s “WandaVision,” where he created designs inspired by different decades of sitcoms. (Photo courtesy of Mark Worthington. Photo Illustration by Isabella Lee/Daily Bruin)

Working together like pieces on a chessboard, the soundtrack of “The Queen’s Gambit” is a resounding checkmate. Sound rerecording mixer, sound editor and alumnus Eric Hoehn received nominations for both Outstanding Sound Editing and Sound Mixing for a Limited or Anthology Series, Movie or Special for his work on the show’s finale, “End Game.” The limited series follows chess player Beth Harmon (Anya Taylor-Joy) as she ascends into chess stardom and follows a winding road to personal growth, with the final episode portraying the emotional peak of both journeys. Read more...

Photo: Alumnus Eric Hoehn (center) earned Emmy nominations for his sound mixing and editing work on Netflix miniseries “The Queen’s Gambit,” alongside co-supervising sound editors Eric Hirsch (left) and Gregg Swiatlowski (right). (From left to right: Photo courtesy of Goldcrest, courtesy of Dan Carr, courtesy of Goldcrest. Photo Illustration by Katie Frei/Daily Bruin)